Thee total sonic fallout, conducted by traffucked, severely screwed and always delayed sphere recordings, saturated with no reason, no logic and no input. A nihilistic sound manifesto, for thee last ones and thee retarded
Since the 90's Tzii, music composer and filmmaker, spreads his frequencies all over the world through touring from Eastern and Western Europe to Australia, passing by USA, South-East Asia, Canada, Japan, Indonesia and Africa, where he played hundreds of shows..… Tzii is a pseudonym used by the musician Eric Desjeux ... "A mountain of multiple figures" as defined by Nyx ... He explores infinite different worlds and expressions, from music to performance or collective creations. One thing always remains in his works : they’re impossible to fit in any box. He’s part of several other projects and works also for dance companies, living performances, movie soundtracks and any other mediums with sound inside ..... He collaborated on stage or in studio with numerous other fellow musicians around the world ...
is an amplified voice artist. From Tokyo. Voiz set is played just with 1 or 2 microphone/s with NO electronic FX. Working on the sound produced from the vocal organ in broader and more concrete sense, relativises the existing interpretation of the “voice” (such as singing, talking, etc). The wide spectrum flickers in subtle ambience, intense silence and brutal harsh noise in a microsecond.
Self Toxication is another project that abstracts the “voice” forming into the sound deeper. The toxin over amplified in stereo channels feedbacking between soundsystem and the physicality (as the hardcore), cuts up himself messing up at the top speed of harsh noise. website
Since his twenties, the being behind the soundless moniker . . . (as known as Nikola H. Mounoud) process in real time; analog, digital and hybrid feedbacks in order to produce unique, powerful and highly dynamic live performances where irresponsible noise, unexpected dense sonic blasts, total non-sense and deep irrationality meets allowing the audience to absorb the unleashed raw beauty of the frequencies wrath. For more details, here is a good start:
Active in the scene since 2009, she is passionate about electronic music and all the spheres that encompasses it; parties via several concepts, radio shows, interviews, events promotion, copyrighting, festivals assistant, connecting artists with organisations/labels,... With an insatiable curiosity, she built an important collection of sounds and connections over the years.
Heavily influenced by pioneer labels such as Rephlex, Skam, Schematic, Warp, Touchin’ Bass, Raster Noton, Wémé,... but also digging a lot into ambient and contemporary experimental music, she recently started to spread this love affair with electronic music from the other side of the boot. Highlighting sounds from past and future, her sets are tinged with braindance, sci-fi electro, miami bass, dizzy rhythmics, acidulous breakbeats, heavy harmonies, dark and vivid atmospheres.
Also the co-founder of Paradigm Collective (audiovisual parties where Umwelt, Minimum Syndicat, Plaster, Geistform, Codex Empire, WSR,... performed), recently created Syn:haptic, an new event series promoting creative minds in the IDM/electro scene and is also pretty much involved in the digital arts/visuals area.